Editing Muntadher Saleh

{{Infobox person
| name                      = '''Muntadher Saleh''' {{Verified}} 
| image                     = [[File:Muntadher Saleh.png|thumb]]
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| caption                   = Polymath (artist, writer, designer, calligrapher, and pharmacist)
| native_name               = Muntadher Saleh
|Nationality                =  Iraqi
| birth_name                = 
| birth_date                = '''February 13, 1999''' 

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| nationality               = '''Al Diwaniyah, Iraq'''
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| occupation                = Polymath
| years_active              = 2025 - Present
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== Early Life ==  
Muntadher Saleh, born on February 13, 1999, in Al Diwaniyah, Iraq, embodies the essence of a modern polymath, seamlessly integrating disciplines such as visual arts, writing, design, calligraphy, and pharmacy into a cohesive body of work that reflects both personal introspection and broader cultural narratives. At 26 years old as of September 18, 2025, Saleh's Iraqi nationality and citizenship underscore his deep ties to his homeland,  where he was raised in a well-educated family environment that nurtured his early curiosity across intellectual pursuits.
== Career ==  
 His formal training as a pharmacist at the University of Al-Qadisiyah provided a foundation in empirical precision and empathy, skills that permeate his creative output, from analytical healthcare tools to philosophically layered artworks. This scientific rigor, combined with his artistic evolution—starting with minimalist line art in 2018 and progressing to pioneering 3D layered sculptures and origami book art in Iraq—positions him as a bridge between tradition and innovation, often drawing inspiration from pivotal events like the 2019 Iraqi protests.


== Personal Life == 
Saleh's biography is marked by a relentless drive to challenge perceptions and preserve legacies, encapsulated in his signature quote, "We are nothing but uttered words," which highlights his belief in expression as the core of human endurance. Emerging during a period of national upheaval, his "Iraq Typography" series (2019) weaves Arabic letters into a map of Iraq, symbolizing unity and resilience amid division, and achieved commercial success with over 1,000 merchandise sales in its first five months. This breakthrough propelled him into professional roles as chief artist for Iraqi and UK-based companies, while his "The Immortal Martyr" series memorializes protest victims by reconstructing their portraits from social media words, blending digital elegy with emotional tribute. The COVID-19 pandemic further refined his voice, yielding poignant pieces like "Save Me" (2020), depicting a fading hand in isolation, and "Please Stay," capturing solitude through subtle gradients.